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A discussion that doesn’t have a specific outcome (which is often the case) is not usually considered to be ‘enough’. Why is that?

Discussion as object

Discussion as methodology

Discussion as a mode of production

Discussion as a process

Discussion as a product

Discussion as a form of action

Discussion as a mode of working (talking instead of doing – Trio Collective’s Skype discussions instead of studio rehearsals and Self Interview)

Discussion as performance

Discussion in performance (Low Pieces by Xavier Le Roy, These associations by Tino Sehgal, What is violence? by Katerina Paramana, Table of Contents by Siobhan Davies, Production by Mårten Spångberg & Xavier Le Roy)

Discussion as a mode of communication with the audience (post-show talks, are pre-show talks more useful?)

Discussion as marketing tool (‘meet the artist’ – something that is extra to the performance, giving context to the work)

Logocentric view of the world (speech or language as a primary need and primary medium for communication)

The roles and uses of a language – e.g. through language we share but we also keep secrets

Discussion as a tool for audience engagement (to equip audiences with frameworks that enable them to appreciate/’understand’ the work more, knowing the ‘rules’, building cultural confidence, to make art more accessible, current trend of participation, Arts Council policy -> engagement vs understanding )

Discussion as an academic/theoretical mode (practice-as-research, lecture demonstrations)

Training: dance as physical/non-verbal activity vs dance as intellectual/thinking activity (binary not useful, instead we could speak of a spectrum of dance activity, also discussion doesn’t have to be verbal?)

Discussion in the working-process vs discussion in performance (two different modes that require different skill sets)

HOW IS LANGUAGE MOVEMENT?

Can one distinguish between the work and the artist (what if you love a piece of work but hate the artist/the way the artist talks about it?)

A discussion takes time to emerge – spreading vs depth

The impossibility of communication: Is it ever possible to fully understand/communicate with another person?

Conversation as a mode of participation – a sharing of this impossibility

Conversation means loss – to initiate something with certain expectations of loss (yet, it’s not about ‘loss’ or ‘gain’ it is about ‘shifting’)

What is the point that we can no longer allow for conversation? When does discussion become non-negotiable? (Attack on Art Exhibition at Tate Britain, Rothko ‘tag’ at Tate Modern)

What is the implication of discussing in the digital sphere (Open Letters)? What influence does technology have for these modes of discussion (across time/space barriers, internet as a non-hierarchical place?)

Transformation of substance (food as a reminder of transformation in a discussion)

Words and movements as ATOMS that transform from one to another but also combine to make something new.

The difficulty of finding an end to this discussion.

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Tuesday 14 January (11am-2pm)
Discussing Discussions in/as Performance
Hosted by Trio Collective

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Our discussion of Discussion will touch on current trends in integrating conversation into performances, in the form of pre-show talks, post-show Q&A’s, etc. as well as the recent emergence of certain conversational formats such as Choreographic Forum, Dance and Critical Theory Group, Coffee Mornings, Groundswell Meetings, etc. in the field of dance. It will aim to unpack ways that discussion can be a mode of production for researching, working, communicating, promoting, rehearsing, bonding, exchanging, and performing. Must we “do?” Can’t we just “talk?” Discuss.
 

We can talk about all of these things, none of these things, and more. 

You need not bring anything but yourself. And maybe some cake.

Chisenhale Dance Space

64-84 Chisenhale Road

London E3 5QZ

www.chisenhaledancespace.co.uk 

Organised by Gillie Kleiman, an independent dance artist and proud member of the artistic community around Chisenhale Dance Space, kindly supported by and held at the organisation. All artists, members and non-members, are welcome to come and join in. Information about previous Coffee Mornings can be found here.

Trio is presenting “Trio Collective: A Self-Interview” at CADRE Research Student Conference 2012

On Performativity 

14th – 15th May 2012

University of Wolverhampton

Admission free

This annual conference is intended as a forum for discussion, an informal survey of current PhD research and a social occasion for the facilitation of networking and exchange amongst PhD students in Art, Design, Craft, Performance and Social and Critical Theory.

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Centre for Art, Design, Research & Experimentation

School of Art & Design

Lecture Theatre MK045 (Ground Floor)

University of Wolverhampton

City Campus North, Molineux Street, Wolverhampton, WV1 1DT

 For more information please follow the link
 

Performance Matters is a interesting new project happening in London, and they are putting quite a bit of research on their website for everyone’s enrichment.  Participating artists/writers include: Augusto Corrieri, Adrian Heathfield, Tim Etchells, Gavin Butt, Lois Keidan, Owen Parry, and many others.

“Performance Matters
is a creative research project exploring the challenges that contemporary performance presents to ideas of cultural value. The project asks whether such forms of cultural practice are now being taken seriously in culture more broadly, and how they may possess the potential to refashion understandings of what, and how, things matter in the contemporary world.”